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| HUBERT VON GOISERN - WIENER FESTWOCHEN 2007 | |||||||||||||||||||||||||||||||
Kurier 12th May 2007
ORF 12th May 2007 Culture Councillor Andreas Mailath-Pokorny introduced the theme with his welcoming speech. Integration was writ large: with artists who time and again overcome cultural boundaries in their work. Hubert von Goisern for example, who lets elements from Tibet, Africa and the Arabic world flow into his new folk music. On Friday evening, he not only presented the programme, but also improvised with the vocal acrobat Bobby McFerrin:
www.oe24.at 11th May 2007 On the occasion of the Wiener Festwochen Opening Ceremony, at which Hubert von Goisern will not only be playing, but also presenting, the artist spoke to ÖSTERREICH about yodelling with Bobby McFerrin, his stage ship tour, the opportunities of integration - and the inclination towards being bad. You're singing tonight with Bobby McFerrin, what will it be? We're singing a yodel from the Salzkammergut. I'm really happy that he's collaborating and has found an approach to it. Although I thought he would, because he can definitely do something vocally with this kind of vocal acrobatics. What is the approach one should take to yodelling? It's simply a form of employing your voice. And you need to have the desire to try things out with your voice, fathoming them out. Yodelling is a form of that, which has been cultivated over the generations here. But not just here, there are pigmies in Africa for example who yodel, in East Tibet, the Samic people in Lappland, and in the South Pacific there's an island where they yodel. Yodelling is difficult enough, but there's an African dialect of clicks, which it is said Europeans cannot imitate. Can you do it? I can fake it, but not perfectly. But there's nothing you can't learn. Nothing at all? No, nothing. Of course there are people who have talents, which they can take to the highest level. But that doesn't mean that people without this talent can't learn it as well. Do you have a talent for presenting? No. But you're doing it today. I'm doing it today, but I hadn't thought about it because I was so excited about the prospect of working together with Bobby McFerrin. I've been regretting it a little in the meantime. But it's not as if I can't present. I can present my own shows. I'm used to that and in that case I have 2-3 hours of concert in which to to span a range of anticipation. Apart from that, I'm used to sometimes being a bit nasty in my presenting. And I can't do that here, it's inappropriate, it's not my audience. So it's a bit difficult for me to be sweet and nice. Or at least only sweet and nice. What do you admire about Bobby McFerrin? His extraordinary musicality, which finds such a direct expression in his voice, which comes out so unfiltered. And the flexibility in his voice and the precision with which he meets the sounds. It all such a joy for life. He's not nasty at all. So he doesn't suit you at all. He does, because I don't like to be nasty. But when you're telling stories, fairy tales for example... Fairy tales are indeed sometimes abysmally nasty. Precisely! And with only nice things, that gets dull, that's boring and it all becomes unpleasant for a reason other than wickedness. Alexandra Zawia
ORF 11th May 2007
ORF 11th May 2007
Der Standard 11th May 2007 Today, Friday, Hubert von Goisern will be opening
the Wiener Festwochen.
[...] Hubert von Goisern regards the invitation to open the Wiener Festwochen live on Friday in the Wiener Rathausplatz (and live on ORF 2) with mixed feelings. He will be appearing as both presenter and musician together with Bobby McFerrin and Joe Zawinul during a glittering evening of entertainment. The mixed feelings certainly have something to do with fear. On the other hand you grow with the assignment. Hubert von Goisern: "I've absolutely no idea how it's going to be. Like most other people I've always been concerned about security and don't like to let myself be knocked down on unknown streets and paths. On the other hand I always get involved in such incalculable demands out of pure defiance. To begin with I have always loved to improvise and only trust band rehearsals with a degree of reservation. Secondly, potential failure in art is always a great temptation. You can't force anything! And from what I've seen of the director's plan, apart from singing three songs, I only have to come up with four things to say after I've done up my accordion." [...] "McFerrin has always wanted to yodel and of course it will be a great honour for me if I can fulfil his wish. Apart from that I very much like his similar attitude, not wanting to plan so much and preferring to see what happens live. Since McFerrin is not flying in until the evening before, I am simply giving him a choice of three yodels. And we'll see what happens." Christian Schachinger
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